One of the things that's happened in the music I love over the past five, 10 years is that some people have gotten very old and continued to make music.
There's a musicologist named Peter van der Merwe whose theory is that the blues generates tune families, and that their similarity to each other is in fact part of the pleasure you take in them - rather than the differentiation in which Jerome Kern and George Gershwin indulged to great effect.
I don't think it's such a bad idea that people learn the same history in school. I think it tends to ground people and give them something to respond to and react against.
I was never really a bohemian. I was a sloppy guy who liked cheap apartments and the arts, and who was very left-wing politically as the 60's progressed, though it took me a little while.
The Rock and Roll Hall of Fame is a canonizing institution. Jann Wenner has worked to make Rolling Stone the keeper of the canon since 1970. I don't like that, because he uses institutional power and he uses economic power to enforce those standards.
Because I've always been good at knowing what I thought and not reviewing prematurely and have gotten better at those things over the years, my flips are rarely that significant.
I'm not a musician, I can't read music, but I came from a family of music fans. Not mad music fans, but people who like music. Both of my parents can play the piano. They were very good dancers, which I am not.
I think I've had a certain amount of success at making phrases. I'm a good writer. But obviously, I'm incredibly flattered and pleased when people remember things that I say.
I don't see myself as having had an exceptional life. Yeah sure, I've had an interesting life, but I'm more interested in what's not exceptional about it.
Anyway, you know, when Richard Meltzer said rock and roll died in '68, what he means is Jefferson Airplane were no longer his buddies, that's what he really means. He means it in a political way: that was when the artists and the audience found themselves on different levels.
I found dozens of albums I loved every year of the early 70s and more in the late 70s and more still in the decades since, partly because I knew more about music by then and partly because there were more to choose from.
I am interested in the highbrow/lowbrow synthesis. My sensibility, I am proud to say, is middlebrow.
My wife is more important to me than anything in the world - including music. She's a great editor and companion for all of my work and she's a great writer herself. If you live with somebody who's smart, they'll affect your thinking more than anything.
In fact, many rock critics look askance at explicitly political lyrics, which I think is pretty stupid, without denying that some political lyrics are also pretty stupid.