This is the trouble with cheating: there are no acceptable rules, or laws. It could be a smile, or dancing to a song that you considered to be indefinably 'ours'. It can feel like cheating to go to a restaurant that you used to go to with someone else. Keeping photographs of exes can infuriate, like retrospective cheating.
Songs are all poetry, and they don't make any sense.
Every time I sit for a song, I feel I am finished. It's like a beggar sitting waiting for God to fill your bowl with the right thought. In every song, I ask help from Him. Everybody around is so good, so to create music that will connect with so many people is not humanly possible without inspiration.
I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
I think the idea is that every time we perform Big Red Machine music it should be different somehow - like, different people, different songs maybe, definitely different versions of the songs.
Seven' is this kind of nostalgic, emotional folk song.
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
