Madam C.J. Walker was born in 1867, two years after the civil war ended. She was a daughter of a slave. She had no formal education. Both her parents died by the time she was seven. Yet, by the time she died in 1919 at age 51, she was one of the most successful businesswomen America had ever seen.
There was a period of 10 years where the conventional wisdom was Black shows don't sell overseas, therefore nobody is interested.
Through the years, Madam Walker has certainly become a staple of anything that has to do with black history, women's history and entrepreneurship.
For more than three years, I'd been part of a complex and frustrating dance as my nonfiction, fact-based material was translated from book to movie by scriptwriters whose visions, goals and sensibilities often were quite different from mine.
When I joined the Sunday Times the people I was competing with were all 10 or 15 years younger, they all had double firsts from Oxford or Cambridge, they were all bright as new pins.
Gordon Brown is a character from a tragic opera, twisted by ambition and a Presbyterian sense of fateful destiny. He has waited 13 years, mostly in Tony Blair's shadow, for this poisoned chalice and has a pessimist's luck.
At the heart of anti-Semitism lies Moses. He made a catastrophic error, a terrible mistake, and all anti-Semitism for two thousand years stems from his misjudgement. Moses said we Jews could remain a people without having a land. He said we don't need territory to hold onto our Jewish identity. This was a disaster.
For 50 years - that is, for most of my adult life - I worked tirelessly for the two-state solution in the face of countless frustrations, both on the part of the Israeli governments and the Palestinian Authority.
I figure that that has a ten year cycle. At the end of that ten years, I began to get worried that I would run into what is known as the writer's block, the feeling of not being able to do these things.