A'Lelia Bundles
A'Lelia Bundles

Why is she Mrs. C.J. Walker? It really was a matter of her trying to insist that people respect her, because during that time, white people would call any black woman 'Sally.' 'Aunt Sally.' So this was like... you can't call me that.

A'Lelia Bundles
A'Lelia Bundles

It's very hard to be a kid, especially in a predominantly white school or white town where other people want to police your body and hair.

A'Lelia Bundles
A'Lelia Bundles

To her credit, Madam Walker discerned that black women wanted to conform to white Victorian models of beauty. She was aware of the double- sidedness of her products - helping black women appear more European in look, with straight hair - but she always maintained that she was simply selling products that promoted hair growth.

A'Lelia Bundles
A'Lelia Bundles

I'd seen how 'Green Book' had been a box-office hit, but left pianist Don Shirley's family feeling betrayed because his life and relationships had been distorted.

A. James Clark
A. James Clark

The best are the ones built without controversy, when the owner, the architect, and the builder work together.

A. P. J. Abdul Kalam
A. P. J. Abdul Kalam

The Bay of Bengal is hit frequently by cyclones. The months of November and May, in particular, are dangerous in this regard.

A. Philip Randolph
A. Philip Randolph

I personally pledge myself to openly counsel, aid, and abet youth, both black and white, to quarantine any Jim Crow conscription system.

A. Philip Randolph
A. Philip Randolph

If we have white persons in the March, we are certain to have trouble with the Communists, and it may not be viewed as a true expression of the Negro's protest.

A. R. Rahman
A. R. Rahman

The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.

A. R. Rahman
A. R. Rahman

The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.