I stuff animals I find; I do roadkill. They're strangely fun to have. They're like easy-to-control pets.
Military brats have this toughness: they're almost like orphans or foster children; they develop little mechanisms. It sets you up to look at things a little differently.
They got into fact checking at the 'Paris Review,' and it was mortifying. There was a wrangle about Hemingway's lost stories that nearly killed me. It turns out he didn't lose those stories. They weren't stolen from the platform.
I sat down and wrote, 'Are your emotions pure? Are they the stuff of heroes or the alloyed mess of the beaten? How do you stand in relation to the potato?' And it was a lot of fun, and I kept going and woke up at some point in some horror that I had about 142 pages of this.
As a boy, I was a member of a club run by the famous reptile showman Ross Allen, and the club sent its members pseudoscientific papers mimeographed on construction paper with a three-hole punch.
Travel writing is harrowing. You are in paradise, more or less, having to prove it is paradise. It is hard to have a good time trying to figure out a way to say you are having a good time, whether you are having it or not, even in paradise.
I know about the sweet home. I went to school with 'em boys, what became Lynyrd Skynyrd; I knew Allen Collins, the skinny girl-beautiful guitarist. I put Allen Collins in every travel piece I do. Travel writing is harrowing, going to Bermuda with a banjo on my knee.
I associate the truest spirit of Christmas with certain years when I had to spend it at my parents' house as an adult who had, presumably, escaped.
At every Christmas, I fail to remember the daughters' shoe sizes, and they are not growing, but grown. After ostensible hard thought about who needs what, I have failed to give good gifts; I have failed to receive good gifts.