I'm a self-taught guitarist, but I have a classical music background.
Of any guitarist, Jimmy Page was my biggest influence. I wanted to look, think and play like him. Zeppelin had a heavy influence on Rush during our early days. Page's loose style of playing showed an immense confidence, and there are no rules to his playing.
Pete Townshend is one of my greatest influences. More than any other guitarist, he taught me how to play rhythm guitar and demonstrated its importance, particularly in a three-piece band.
It's part of our nature. As much as I love (brother and guitarist Eddie), if you put us in a room with no one else for 15 minutes, we'd be at each other's throats.
It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.
I've always been much more of a guitar picker, but I began to feel forced into a position of being the epitome of a rock & roll guitarist. Originally, TYA wanted to make it without having to compromise to pop. It worked for a while, but after five or six years, the fun went out of it for me; a lot of the music went out of it.
Strangely enough, I wasn't into fast guitarists. I preferred Peter Green's subtle touch. I saw him with John Mayall's Bluesbreakers at the Marquee Club in London and was very impressed. He was the only guitarist I've ever seen to turn the volume control on his guitar down during a solo.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.