Twenty is a tough age because it slips past in the middle of so much else - university, gap year, leaving home, getting jobs.
I am truly at my happiest not when I am writing an aria for an actor or making a grand political or social point. I am at my happiest when I've figured out a fun way for somebody to slip on a banana peel.
It's tough at slip. The ball doesn't come to you very often. So from that perspective, I enjoy keeping more - you're in the game the whole time.
The first job I got was this TV job in this show called 'The Unusuals.' Then I did a play called 'Slipping,' and at the same time I was rehearsing another play at Playwrights Horizons, and that kind of snowballed into a bunch of plays.
Families, particularly, tend to be the ones that you take the most for granted. They seem to slip under the radar, all those important things - it almost becomes second nature to do so.
And if you get caught up in combing the Internet for what people think of you or how people perceive you, I think that's a slippery slope.
For me, the comedies that truly work are the ones that are grounded in some way. If it's all heightened, it's really hard. It's a little slippery. It's hard to get purchase on the side of the wall.
One cheat meal is fine, but keep it at one, because if you do another, then it's a slippery slope.
I'm not big on fuzzy or fleecy slippers. I just don't like the texture and the heat. It just gets to be too much.
It's easier to put on slippers than to carpet the whole world.
