I'd hate it to become style over substance, I'd hate people to start putting me in a magazine article about my style. I don't like dressing up in something I'm not necessarily comfortable in just to make it more of a show. I want the power to come from what I sing about and how I sing.
I guess I started running when I was about 18 and... I feel like it assists my creativity a bit because it completely just flushes everything out.
My fancy dress costume of choice is... something 1920s or 30s, when there was still so much elegance and attention to detail. An excuse for ultimate dressing-up indulgence.
My guiltiest pleasure is... chocolates with strawberry cream and trashy television - 'Geordie Shore,' 'Katie,' etc.
What people don't understand is that how you are as an artist depends on how you are emotionally.
I never thought that I could make a living out of my voice, to be completely honest. I thought that I could probably keep playing pubs. And it was exciting for me to get even just a pub gig in my town or country, when I went to university.
'I Know You Care' is about my dad. And I haven't seen him for a long, long time. And my parents divorced when I was really young. And I guess I just wanted a - it was my way of saying that I wasn't bitter or angry anymore. I was just sad and just felt like something was missing.
I've changed the way I look a bit but not intentionally. I've cut my hair. I've got a bit of pink in it and lately I've become a bit monochrome, wearing a lot of black and white.
I instinctively dress a bit tougher because I've spent a lot of time in the U.S. and I realised there was a certain image projected of me here. I've always been an absolute rebel. When I was in my teen years I had piercings and wore all black.
You should constantly write because your writing is always evolving and progressing. It's really important to start writing young.
I take inspiration from everything around me, also relationships and friends. And the inside of my crazy head.
I hadn't even released my first proper single when I started to feel the strain of attention. But I don't believe that it was the attention that was giving me panic attacks. I think it was everything in my life colliding at the same time. It really did get to a serious point where I couldn't even walk down the street without getting the pain.
You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.