The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
I think I can get away, sometimes, with walking in the streets and not getting noticed. I like that. I want my work to get noticed, not me. And it's slowly getting there, which is good.
My music is mostly for the music. And it gives the liberty to do anything which I want. And nobody limits me to one genre of music. But I learn from life and I try to give back to life, in a way, whether it's the thought of the song or whether it's the approach to the arrangement or anything.
I developed a mania for Fitzgerald - by the time I'd graduated from high school I'd read everything he'd written. I started with 'The Great Gatsby' and moved on to 'Tender Is the Night,' which just swept me away. Then I read 'This Side of Paradise,' his novel about Princeton - I literally slept with that book under my pillow for two years.
I know that part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful.
Why do we take pleasure in gruesome death, neatly packaged as a puzzle to which we may find a satisfactory solution through clues - or if we are not clever enough, have it revealed by the all-powerful tale-teller at the end of the book? It is something to do with being reduced to, and comforted by, playing by the rules.
I watch a lot of sport on television. I only watch certain sports, and I only watch them live - I don't think I've ever been able to watch a replay of a match or game of which the result was already decided. I feel bound to cheat and look up what can be looked up.
You can understand a lot about yourself by working out which fairytale you use to present your world to yourself in.
I find the attempt to find things out, which scientists are possessed by, to be as human as breathing, or feeding, or sex. And so the science has to be in the novels as science and not just as metaphors.
There are things I take sides about, like capital punishment, which it seems to me there is only one side about: it is evil. But there are two or three sides to sexual harassment, and the moment you get into particular cases, there is injustice in every conceivable direction. It's a mess.
