The two things I use the most are the MacBook Air and my iPhone. Those are my two most-used gadgets that are dented, scratched and smashed.
I had crashes when I was small and Gumby-like that would have killed me now. I would just fly off jumps and go 40 or 50 meters when I was 6 years old - break skis, smash my goggles and get a bloody nose and go crawl inside for a little while and then come back out and ski more in the afternoon.
My dad was very explosive, God rest his soul. He could fly off the handle like no one I've ever known, and I have definitely got that in my personality: that ability to sort of smash the house up and then say, 'Put the kettle on,' to have that kind of attitude of, 'Well, I'm OK now, so everybody else has got to be OK.'
I was making projections about 'Humans of New York,' back when I had zero followers, that made all my friends and family roll their eyes. I'd throw out these huge numbers: 'One day, a million people are gonna be looking at this. Trust me.' And even those wild, wild numbers I was throwing out have just been smashed. So, it's a good feeling.
I know how I felt when I saw things like 'Fame' on television when I was growing up and how that was an exceptional magnet for me to want to explore the theater. I can only assume that 'Smash' is doing that for anyone who is halfway interested in theater already.
I got involved in improv comedy. It settled me down when I was getting wild. I was sort of an evil teenager smashing up my cars and drinking and driving, let's just say, a lot.
California club pop chirper Dev's debut is as stark as it is sweet. This is owed partly to the casually giddy lightness of her talk-singing - familiar from her slizzered 2010 cameo on Far East Movement's smash 'Like a G6,' and around-the way-girl frisky like 1980s Latin freestyle.