In 'Bayou Magic,' I bring in the cultural tradition of African mermaids - Mami Wata, the mother goddesses.
I want to inspire young girls and let them know that we are all goddesses inside and out.
When I was a kid, my grandparents were Greek immigrants on my father's side. My grandfather used to read me Greek myths, in which there are a great many goddesses and stories of strong women. And I was entranced by them. Then I started reading science fiction very young, and I loved it.
You have, in America, you have gang signs. Well, 5,000 years ago, there was thing called a mudra, which is your sitting position when you do yoga or you're meditating or you're praying or whatever. And there's not a lot of them that are named after gods and goddesses, but the middle-finger is specifically named the Matangi mudra.
Burlesque girls were alchemists. They were steel-tough performers who were willing to use kitchens as dressing rooms, haul their costume bags through the snow, and go into debt over fake diamonds, all for the five minutes onstage when they were goddesses.
I feel like a lot of us have a story to tell, it's just that we don't get the platform or the access or the opportunity. I don't know how the goddesses and gods and the stars aligned. I got the opportunity, and I do have to note that a Hispanic woman gave me that opportunity.
When I first started doing screen work, I thought, 'I'm not beautiful enough for this profession - all the actresses I watch on screen are gorgeous and beautiful goddesses, but I'm just a scrawny, scruffy girl from southwest London.'