I just had a hunch that there might be kernels of truth or reality - scientific or historical reality - in stories about nature that are perpetuated in oral myths. That's how I got interested in it.
The nomads' egalitarian lifestyle astonished the Greeks, who kept their own women indoors weaving and minding children. The exotic Scythian lifestyle fueled the Greek imagination and led to an outpouring of myths about fierce Amazons, 'the equals of men.'
I have discovered that if you take all the places of Greek myths, those specific locales turn out to be abundant fossil sites, but there is also a lot of natural knowledge embedded in those myths, showing that Greek perceptions about fossils were pretty amazing for prescientific people.
With each film, I get more and more involved and it's more and more time-consuming. Also, I like to break myths and people's preconceived ideas. My characters have always stood for something, have always had an opinion, although they've never really rebelled.
Myths grow all the time. If I was to listen to the number of times I've thrown teacups then we've gone through some crockery in this place. It's completely exaggerated, but I don't like people arguing back with me.
A good nationalism has to depend on a principle of the common people, on myths of a struggling commonality.
If you look back at the great classics and the epics and myths, they were for everyone. Different people got different things from them, but everyone was invited to participate.
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.