For 10 years, I'd been told I was always going to be a catalogue girl, never a cover girl. Well, I got with IMG and did five covers in a year, boom, boom, boom.
I've had agents tell me, 'You're not gonna be on the cover of anything; you're a catalog girl.' I've had clients tell me, 'You're too fat, and we can't book you any more because you don't fit into the jeans.'
I looked through our catalog year by year, and I saw that there were pockets of time when we wrote some terrific songs. Then all of a sudden, we'd go for another two or three months and there weren't great songs.
'Sherlock' fans are, by and large, an intelligent breed, so they've gone through my back catalogue and got what I've done, why and how I've done it. There is some obsessive behaviour, but I worry for them rather than me.
Sometimes, the songs that really affected me were not from the artist catalogue of their music, like the song 'Thunder Road' by Bruce Springsteen. I never got into any of his other music, but that song, to this day, is in my top three lyrical masterpieces of all time.
I don't know how old I was when I first started going to shows, maybe 14 or 15, but very quickly, I discovered Dischord Records in D.C. and loved all the music on that catalog. I was a big Rites of Spring fan, Minor Threat, of course.
I remember ordering records out of the Dischord catalog in the '80s, and there would be a handwritten note.
It has only been within my lifetime that asteroids have been considered a credible threat to our planet. And since then, there's been a focused effort underway to discover and catalog these objects. I am lucky enough to be part of this effort. I'm part of a team of scientists that use NASA's NEOWISE telescope.
I learned most of what I knew about online communities on The Well, and it was a good place to learn. The group of people in Sausalito and Bolinas who'd gotten the Whole Earth Catalog off the ground - a bunch of boomer hippies, intellectuals and nerds - established the 'Whole Earth 'Lectronic Link', and showed us what online communities were.
Everything you write as an artist is about your legacy and your catalog and how you would look in a museum.
