I don't care how many championships you've won or how many records you've broken - if you've had a hand in pushing forward not only a game but women in sport's movement, then I think that's pretty darn good.

Champagne Jerry records are definitely, in one way, on the very far end of the weird spectrum of rap music, then, in another way, very far on the weird punk spectrum.

I don't know why we sold a lot of records or why so many people came to see us. Like 'Sabotage' - would you put that song on, like, 'I'm gonna listen to that right now?' It's a weird choice.

I wanted to make good records. But my problem is I've got a low boredom threshold, so I wanted it to look and sound different with each album, which is really tantamount to suicide, cause people lose it, they lose it - they say: 'I like that, and that's not this.'

People weren't buying as many records. My record company did not want me. I went through three record companies, went on tour at the wrong time. It destroyed me.