Actors are always identified with certain parts. To some, Marlon Brando will always be the Godfather. That's just how it is, whether the character happens to be your own personal favorite role or not. You can't ever get away from it.
Most actors are like, 'I want to be more like Marlon Brando.' But when I was a little kid, I just wanted to be an action hero! Then I grew up, and my interests were different.
I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
My dad was my hero when I was a young boy. And then it's a toss-up between Han Solo, the New Zealand All Blacks Rugby team, and Marlon Brando.
I'm obsessed with Michael Fassbender. He's unbelievable. I think he's a modern day Brando. Every movie that he's done in the past couple years, I just died for him. He's extremely fascinating.
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's made me feel very lucky. But the films have never meant a lot to me.
I'd like to win an Oscar and then refuse it so I can protest the way they've treated Marlon Brando.
I know this'll sound obnoxious, but acting was very much an accident for me. I didn't have, like, posters of Marlon Brando in my bedroom when I was growing up.
Someone I met years ago explained to me the difference between a personality and an actor, a personality being Eddie Murphy or Roseanne Barr, and an actor being Morgan Freeman and Alfre Woodard or Marlon Brando.
One of Brando's problems is that he can't have a conversation with anyone.
