I like Louis C.K., Chris Rock. Old schools like Richard Pryor and Eddie Murphy.
Eddie Murphy said once in an interview that nothing is offensive if it's funny. I sort of agree with that, but if something's funny and you're the subject of it, sometimes it's more offensive. If someone's insulting you, you want them to sound like an idiot.
But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.
When I was 13, Eddie Murphy was to me what Chris Tucker was to 13-year-olds when I made 'Rush Hour.' And 'Rush Hour' really came out of the fact that I grew up watching 'Beverly Hills Cop' and '48 Hrs.'
The routines of any ethnic comic - Eddie Murphy or George Lopez, for example - would not work if they were performed by anybody outside the group. The same routines would become arrogant and racist.
Richard Pryor - he had stories, he had characters, he had short jokes, and he had bits. He had all those things. Eddie Murphy has all those things, and he can sing. A comedian is a bunch of stuff; it's not just one area.
If I look at my family tree and follow every generation before us, going all the way back to the slaves, then Eddie Murphy is the highest achievement as far as my bloodline is concerned. How could you be jealous? You can only be proud, unless you got some serious issues.