The wealth of information now available at the click of a finger amazes me.
I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
Yeah, so when 'Avatar' came out, the social media world and the idea of fan communities were very new. There were forums and you could obviously go to conventions and talk to people, but it wasn't as clear or easy.
Our experience on 'Avatar' heavily influenced how we approached 'The Dragon Prince' and how we built our team.
On 'Avatar', I learned that it's worth taking some risks and doing some weird little things with characters or having an off-joke here and there, even if it's only for 5 percent of the audience.
I have to be fully committed to do a project nowadays, because if I say yes to something, it means the whole family are going to have to move for the job. It's a lot of upheaval. So, it has to be really worth it. Otherwise, I'd just as well not bother.
The degree of political pressure to make MGNREGA jobs available varies massively from state to state - which is why access to MGNREGA jobs is worse in a very poor state like Bihar than in a richer state like Andhra Pradesh.
The world's poorest people use the cheapest available fuels - dung and twigs and even leaves.
In the James Cameron blockbuster 'Avatar,' 3-D cinematography is the real star. The bugs and crawling creatures seem to slither into the theater seats. The floating mountains of the planet Pandora hover gloriously overhead. And the Na'Vi, Pandora's 10-foot-tall, blue-skinned natives, come convincingly to life.
The remarkable thing about 'Avatar' is the degree to which the technology is integral to the story. It is important to show Pandora and its Na'Vi natives in 3-D because 'Avatar' is fundamentally about the moral necessity of seeing other beings fully.
