I want to be known as A.J. Styles, the WWE Superstar that he is, and have amazing matches, make memories - I think that's the goal.
Everything I do, I want to be A.J. Styles. When you see a guy come out with dry, long hair, I want you to be like, 'Hey, that reminds me of A.J. Styles.' That's what I want.
I hope to have more than one main weapon. I have the Phenomenal Forearm as we're calling it now, the Calf Crusher - the Styles Clash is still available. I like to have a lot of alternative moves to hit people with, and whatever seems to work is what I'll go with.
If we're talking about guys who set the tone, you've got to go way back. But if we're talking about guys who made it possible for guys like A.J. Styles, Shawn Michaels kind of opened that door, along with Daniel Bryan.
The tapes we were making would jump around with different styles, just quick parts of different songs. Hip-hop to jazz to funk to whatever else. And in a way, 'Check Your Head' ended up being like one of those pause-tapes.
The greatest thing about music is everyone has their own style, and I respect all styles of music.
I went to college in '94 and started freestyling a lot more and hearing how others did it, hearing styles from other regions, all of it. Met Blockhead there.
Classical cooking and molecular gastronomy should remain separate. You can mix two styles and get fusion; any more, and you just get confusion.
Comedy is a reflection. We create nothing. We set no styles, no standards. We're reflections. It's a distorted mirror in the fun house. We watch society. As society behaves, then we have the ability to make fun of it.
In the past, modeling influences were largely confined to the styles of behavior and social practices in one's immediate community. The advent of television vastly expanded the range of models to which members of society are exposed day in and day out.
