In the James Cameron blockbuster 'Avatar,' 3-D cinematography is the real star. The bugs and crawling creatures seem to slither into the theater seats. The floating mountains of the planet Pandora hover gloriously overhead. And the Na'Vi, Pandora's 10-foot-tall, blue-skinned natives, come convincingly to life.
The remarkable thing about 'Avatar' is the degree to which the technology is integral to the story. It is important to show Pandora and its Na'Vi natives in 3-D because 'Avatar' is fundamentally about the moral necessity of seeing other beings fully.
Our culture is so inundated with Freudian prototypes, and I think that 'Twin Peaks' came up with a whole new Pandora's Box of outlandishly mental, out of balance people that have never been described or have been noted by the psychiatric community.
How, possibly, could the police have made the 'mistake' of charging the wrong man with the notorious Red Light Bandit crimes? That also is something that is fully revealed in the Pandora's Box of facts I have prepared.
If you have an architecture of control, let's say, where you select in advance everything that's going to affect your life, then you're going to live in a very small world that will have an echo chamber feature... Pandora, which I love, actually feeds into that.
In 'The High Low', in some respects an audio version of 'Grazia,' Pandora Sykes and Dolly Alderton wonder whether they missed something in their survey of the Harvey Weinstein story. Maybe they did, they decide.