There's still something so pure and heartfelt and emotional and genuine about a bouquet of flowers that, even with all the advances of technology and the millions of ways we have to communicate with each other, flowers are still relevant in my opinion.
We are more and more into technology. Everything is texting, and everything is instant. Flowers are completely impractical as a method of communication when you could just send a text.
The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
I think that the hardest thing about working with young people in foster care who've been through this kind of neglect and abuse is really to convince them that they are worthy of being loved. And I think because often they don't feel worthy of it, that's why they push people away.
I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?
I'm very interested in getting inside the heads of people society discards, people on the fringe, especially immigrant kids. We dismiss them without getting into details of who they are.
Though politics is by nature divisive, surely we all can agree that foster children need stability, safety, education, opportunity - and love.
Every second I have spare, I'm with my kids.
I wanted to write with emotional honesty and tell a story people could connect with. And I wanted people to know how the foster system in America fails children; and how, at 18, they fall through the cracks. Then we can all work together and give support.
At Camellia Network, we believe if we can create a way of identifying every young person aging out of foster care, defining what they need, and giving a community of supporters a simple and clear way to fulfill those needs, we can produce radically improved outcomes for youth.
Our standards for motherhood are so high that many of us harbor intense, secret guilt for every harsh word we speak to our children, every negative thought that enters our minds.
I was a screenwriting and studio art major in college, so even though I don't have any training as a floral designer, I have a very particular visual aesthetic.
I founded Camellia Network with my dear friend Isis Dallis Keigwin. The mission of our organization is to create a national network that connects every youth aging out of foster care to the critical resources, opportunities, and support they need to thrive in adulthood.
You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.