I knew I wanted the parties in 'The Queen of the Night' to be convincing, beautiful, and also dramatic: situations where significant things happened on a scale that was both grand and intimate. There were several texts that helped me think about how to do this, and one of the most important ones was Charlotte Bronte's novel 'Villette.'
I don't want a performance to give me everything. You can look at Charlotte Rampling in '45 Years,' and you don't really know what she's thinking, but you know something interesting is happening.
I am not necessarily a private person, but I am Charlotte Flair on camera, and that is playing a character.
I remember my father saying to me once, 'I finally know how to describe you, Charlotte. You're prickly.' And he was right - prickly is a very good description. If I had to be an animal, I'd probably be a porcupine.
I hope that my children will someday be as proud of me as I am of my mom. I am so grateful to be her daughter. I'm so grateful that she is Charlotte's and Aiden's grandmother. She makes me proud every single day.
And every day that I spend as Charlotte and Aiden's mother, I think about my own mother, my wonderful, thoughtful, hilarious mother.