There's a place in England called Petticoat Lane, and... they always used to get the heavy albums, like, a week before. So I went down there and got it, and I went back home. I didn't come out of my room for about three days. I just played it nonstop... 'Sgt. Pepper's' was the best thing I'd ever heard in my life.
Everybody wants to be on the front cover of 'People' and 'Rolling Stone.'
Hey, I've done a lot of other things, but I'm also very aware that when I kick the bucket, the first paragraph will be, 'The man responsible for 'Frampton Comes Alive!' just dropped dead. Frampton Drops Dead! after coming alive all these years.'
I'd sold more records than any other person in history with one album, at that point, in '76. It became a very scary place for me, because I didn't know whose advice to ask and lost my confidence in my own gut feelings about everything.
The number of times that anything is overdubbed on 'Frampton Comes Alive!'... the rule was, if it didn't make it to the tape, then we can redo it because it needs to be done. If it made it to the tape, and it sounds good, we leave it. So nothing was overdubbed on that album at all that wasn't absolutely necessary.
I had so much out there, the world was going crazy about 'Comes Alive!' I didn't need to go and rush into something else. You're only as good as your last record, so don't put one out for a while.
I believe I'm an artist that just shines live - it's just something that happens.