I feel I can rush the passer well. I feel like I can play the run even better than what I did starting off to when I got in my senior year as far as making plays in the backfield and just being able to break down film a lot better.
Some movies get rushed out right after you make them and I'm not always happy with that.
For me, all my negative thoughts that I have about, 'How did you miss that pitch? Why did you miss that pitch? You shouldn't have missed that pitch.' I just kind of sit there and kind of crush it up, and once I'm done doing that... I just kind of toss it aside.
You've got to be picky in this business - if you're not, then I don't think you have the option of longevity. You've got to be choosy and try and do something that's outside of the box and dangerous. I love doing stuff that excites me, gives me that adrenalin rush.
I've always been able to get into the box, but in the past, I'd been very rash in my finishing; I wasn't clear with what I was doing in the final third. When it came to shooting, I was very rushed. I wasn't hitting the ball cleanly.
People have always liked to be frightened. People love to feel that jolt of adrenaline. People love roller coasters. People love skydiving. These things that really get your heart pumping, and horror films are sort of a safe way to get that rush I guess.
Lest Arab governments be tempted out of sheer routine to rush into impulsive rejection, let me suggest that tragedy is not what men suffer but what they miss.
I'm constantly on the go and have found rushing round after a new born baby is the best form of exercise! I always remind myself that men appreciate a womanly shape and some curves!
I don't have to lay on the couch and see a therapist because my therapist is in my paint brushes.
I think it's important for an actor to see the work they've done because every time you revisit a work you come up with a new way of improving it. It's a good way to brush up your craft and your skills, so I think it's a good thing to do, keep seeing your films.
