Running in Central Park is my favorite thing to wake up and do. I have my own specific path that I have to run every single time. There's a little bit of OCD involved, but I love it.
I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.
As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.
My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.
Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the 'Pinkerton' tour, and 'Pinkerton' is the reason why I'm doing this.
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you.
I was signed at 19 years old to a major label, and dropped by the time I was 22.
If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
I think any branding for me is band-related. It's really weird to get used to the exposure, because I am a naturally introverted person, and I'm not exactly social. Occasionally I can get comfortable enough to talk, but I spend a lot of my days not talking, especially when I'm at home and not on tour.
Lyrics are so important, I hate every second of writing them, but it's something I take great pride in when it's finished.