But I'd say recording and playing on stage are two completely different things. Being up there in front of all those people is like jumping off a cliff into icy water. The recording process is a totally different energy.
Whenever I see a tree that is climbable, it must be climbed. Sometimes when I'm on a run, I'll just run up a tree, jump on a branch and swing off. My favorite tree, in Saratoga, gets me a good 75 feet up.
I always gravitate towards the independent side of things, just because those are the stories I always fall in love with, but you don't really get paid, and living in Los Angeles is expensive, and I have a mortgage to pay. So it's good to jump onto a studio film and then in all my other time do small passion projects.
Dancers are always striving for perfection. A great dancer never achieves it: you always want to do another turn, a higher jump,a more difficult acrobatic jump.
The tapes we were making would jump around with different styles, just quick parts of different songs. Hip-hop to jazz to funk to whatever else. And in a way, 'Check Your Head' ended up being like one of those pause-tapes.
The only interaction I had with my brothers is like negative attention where I'd basically egg them on into beating me up - which was delightful! Otherwise, it was me with a video camera jumping on a bed pretending to be the Ultimate Warrior or setting up my robots making a Transformers movie because I was a lonely kid.
Venture capitalists are like lemmings jumping on the software bandwagon.
When I put something into motion, the creativity starts to make other people want to jump in, and then a lot of people get employed. I'm just like a shark, in that way. If I stop swimming, I'll die. But, it really is about that shared experience with people. I'm from theater, and that's really what theater feels like.