If it were purely up to me, my kids would probably be vegetarian Catholic Marxists.
I like uncertainty in roles, and I like uncertainty in art, really.
I am a fan of the Coen brothers. I'm not a fanatic. I'm a big admirer. They create unique worlds, and there is a real atmosphere to their films. Not everyone can get that. That's a massive part of their appeal: you can recognise them. Like all the great directors or artists, you know it when you see it.
The reason I've never gone for pilot season even as a younger actor, and wouldn't entertain that sort of thing now, is the idea of signing a piece of paper that binds me for six or seven years.
If you want your film to be instantly green-lit, your first approach is not to go to a relatively unknown English actor. They're not going to throw millions of dollars at you for that.
To my mind there are not enough things that show the Nazis as human, as smart people, charismatic people, who are not inhuman naturally. But who are able to be fantastically inhuman when they choose to be.
There are always challenges to green screen.
Like any friendship or marriage, familiarity breeds more contempt, and love, and everything.
Most people have a passive relationship with music and clothes, with culture. But music was my first contact with anything creative. Music is it, as far as I'm concerned.