The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.
On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.
When you're hanging there twenty feet off the ground, surrounded by green screen, and all you've got is the other actor and the wonderful Gavin Hood shouting instructions at you as to what's going on; it's a really unique experience.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
One of the most amazing things I got from the film, so much green screen, there are so many moments and it really taught me about how important it is to have an intention when flying, when going somewhere and having an intention.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
Working on a green screen set, yeah, it's almost like reading from a novel, taking those black words and creating a world around you.
When I filmed 'Power Rangers,' almost everything was being assisted by a green screen, but it wasn't the same with 'Stranger Things.'
'Green Screen' was a total experiment. I'm glad we did it, but it was just tough on that network to get it going.
When you're doing a film that has so many effects, you do a lot of it on green screen, and you can't see what that world is.
