I digested this value system that told me there was no one for me unless I reached a certain type of perfection. And as you get older, you realize that ideal is constantly changing.
There's no shape or body type that makes you more happy or more lovable. It's the body you're comfortable in that makes you happier and more lovable. I look around and see how women and men of all types find the love and the life they want.
There are certain shows or people that I would love to work with. One of the greatest things about our business is that if you get to fan out on people you might actually get to meet.
Ever since I worked on 'Buffy', it's always helped me to find a genre container for something, and I was like, 'Oh, this is where the movie melodrama has gone to. It's gone to YA.'
I think my biggest problem as a creative person trying to work within a business for profit was that it was very important to me that people liked me. Over the years, observing other showrunners who made work that I so admired, I realized that that had to go. This couldn't be my first priority. My first priority had to be the work.
Keanu has such generosity and intelligence, not to mention a warmth that I'm eager to tap into. We're all incredibly excited that he's agreed to help us bring 'To the Bone' to life.
With everything I do, I strive for a balance of tone, where it's not just one thing.
I love characters who are really dedicated to a really bad plan.