My dad had made a documentary called 'The Dream Factory' about MGM, and my whole life, I just wanted to be inside it. And there I was.
I really understand that we have to be sensitive to people's feelings and to their sensitivities, but you also can't be muzzled to tell a story.
I did, of course, do research about what the current state of affairs is in terms of the eating disorder community and who's being affected, and I was surprised to see that - something that was - way back when I was in the thick of it, it was typified as a fairly white, middle-class girl problem. And if it was, it really isn't anymore.
On 'Girlfriends' Guide to Divorce,' we have a mandate to hire as many women as possible, but particularly on a show that is about women and about progressive issues like that.
I encourage people and their different points of view.
When you're allowed to tell stories with ambiguity and darkness and things that are still unresolved, that's the dream scenario as opposed to having to fit into a more procedural mode or something a little more conventional. That's not what's working on TV right now.
That's a big part of the process: making the right choice from the beginning. Not getting distracted by shiny things.
I can't be interesting, controversial, and the writer I'd like to be if I need everybody to like me and think I'm doing the right thing, because those two things, in my experience, never go hand in hand.
That went on for a long time: telling various tales from my experience being anorexic and bulimic, and having people say, 'You've got to write this; you are a writer,' and me not knowing how to approach the material.
I think many people expend a tremendous amount of energy on self-loathing and self-flagellation as well as getting caught in a vicious cycle of dieting and gaining the weight back.
Seeing Donald Trump run for and then win the presidency only enhanced my commitment to helping people free themselves from ridiculous body standards and disordered eating so they can use their gifts for more fulfilling things, like being of service and enjoying this beautiful world.
For me, the interesting thing about anorexia is that you show your wound. There's no hiding it. So my anger and sense of disappointment, all the stuff I was out of touch with, became this visible rebuke to my parents.
Sometimes when I'm reading a script, I can't quite believe that this is going on television alongside cereal commercials.
Being an aging woman in Hollywood is no picnic.