There's a beautiful, kind of seductive trap in being autobiographical in our writing of songs: We just get stuck in our own syrup, and it's so personal that it almost can be embarrassing to the listener.
I'm a real Otis Redding fan, and I just think he sounds so good. He sounds like he's always at the end of a long day, and he just won't give up. I just love his wearied devotion - that beautiful, beautiful, weathered sound.
I studied opera for a year at Georgia State University, but I wasn't interested in that meticulous, technical approach to music. So I left school and went back to jazz.
I have no ancestral link to the mountains. But I really do feel close to mountain culture. Their ways of food, of thinking. The way they hang out with no recording devices and just sing songs with each other.
The church is an institution of music and of production and performance, and it has to do with taking people to places inside of themselves and giving them an opportunity to sit deep in their own feelings, and to be together and deeply alone at the same time, and to process things.
My mom has a couple great tricks, but my father is consistently a good cook. He's extremely avid about health and fitness and a bit obsessive. He always talks about garden-fresh food.
There's a lot of pressure that comes from the mainstream stuff, and already people who have been saying - people who don't know any better - have been saying things to me like, 'You should really think about neosoul. You'd definitely be more successful in that.' But that's not my expression.