London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire, or the blitz, the plague, the smoky ghost of the Great Fire that gave us Christopher Wren's churches and ushered in the Georgian city.
A friend of mine is chief of staff at a big prison in Georgia. Along with giving me a tour of the prison, she allowed me to meet inmates.
Growing up in Georgia, I used to think people up north or out west were so different. They're really not. They're just regular people who live in small towns. They grow up and try to raise families and have a job and go to church and play softball. It's that way everywhere.
I don't need to be married to Georgia O'Keeffe or Lillian Hellman, but I like being with a woman I can look up to.
I've come to realize how much it really was a part of my upbringing, the Georgia part. We were away from town. It was just dirt and trees and spouses. And a lot of kids - my cousins, who were all like brothers and sisters to me - just a lot of kids at one time.
A person like myself, born and raised in the inner city of Atlanta, Georgia, to lower-middle-class parents. But I had the opportunity to get an education, to go and earn a commission in the United States Army, to serve for 22 years, to lead men and women in combat.
The thing that helped me get into the film business was that I went to school in Athens, Georgia and managed to get on, um, working on music videos for a band called R.E.M. and that kind of opened up a lot of doors for me.
We must remember, too, that the Russian population of the Caucasus are to a large extent Muslims, and the areas such as Georgia which have aspirations of their own.
I learned from watching Florida Georgia Line every night. The energy that they possess on stage, that's something that I wanted in my show.
You've got Chris Stapleton doing what he's doing, and Sam Hunt, Florida Georgia Line... Everyone has their own lane, and we felt like the falsetto was my lane.
