I'm not eager to jump into marriage again. I'm in the corner right now, wearing my dunce cap. That area is obviously a nightmare.
When I'm doing interviews, I'm doing interviews, and when I am writing, I'm writing. I sit there with a musician and I write. It's the same process since I started writing in my twenties. I like to come in and leave with a finished song.
I like helping children. I have a big thing with children. You can correspond with the child, send something to them as a gift. You know it's actually getting there and you are doing something to help.
It's hard for me to be happy because I'm always worried about something going awry or what could happen to screw it up. It's hard for me to sit and look around, going, 'Ah, I'm really happy.' I'm not that kind of person.
Anybody in the spotlight can get lost in that if they are not careful.
I would describe my aesthetic as definitely personal and harmonious with an eclectic yet bohemian sensibility.
I think people think I'm harder and more arrogant and cocky than I am - because I know how to put on a front, but it's nothing like who I am inside.
I grew up in the South with my father; blues and country, that's always been my core. But I had it in me not to do what was expected. I wanted to find my own footing.
When I write, it's purging for me. It's a therapeutic process.
People that were in my life for a long time turned sinister and tried to control me, and all kinds of weird stuff happened. But there was no conscience involved; that threw me more than anything.