Well, I met Frank Sinatra and Bob Dylan in the space of 15 minutes. Frank Sinatra kissed me on the lips. He kissed me on the lips. And then he gave me a filterless cigarette. And then I met Bob Dylan. I came off all lightheaded and had to go sit on his dressing-room steps.
I see a 16-year-old now, and to ask her to take her clothes off would feel really weird. But they were like, 'If you don't do it, then we're not going to book you again.' So I'd lock myself in the toilet and cry and then come out and do it. I never felt very comfortable about it. There's a lot of boobs. I hated my boobs! Because I was flat-chested.
Once I was walking from The Mercer in New York - because otherwise I don't walk anywhere - and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, 'Are you all right?' and she was still taking pictures.
Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'
I make jam, and oh my God, it is so delicious.
People forget I go to work. They forget that the Coleridge house was bought and paid for by the daughter of a travel agent and a barmaid from what the actor Richard Burton once described as the nightmarish 'featureless suburb' of Croydon.
I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.
I don't go, 'I'm in the papers all the time,' because there are loads of people in the papers all the time. Sometimes I'm still like, 'Ooh, look- there's me!' I'm never like, 'Wow, look at me on the bus.' You have to be a bit grounded about things like that.