The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across.
My musical development stopped when Frank Sinatra died.
There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.
Even the king of phrasing, Frank Sinatra, did not do as well as Joe Cocker with his reinterpretation of 'Something' by George Harrison, which Sinatra called the greatest love song ever written.
No one controlled Frank Sinatra or told him how to sing. No secret group of managers has been telling someone like Jay-Z what to do or how to look. And no one tells me what to do except me and the people who believe in me.
My mother was against me being an actress - until I introduced her to Frank Sinatra.
Frank Sinatra was a great singer, but my favourite is Sammy Davis Jr. He had incredible versatility in his voice, often doing impressions of people. It's always going to be classic, and you'll never get bored listening.
I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.
The run I was on made Sinatra, Flynn, Jagger, Richards, all of them look like droopy-eyed armless children.
I like Frank Sinatra and Nat King Cole and Dean Martin, who was my favorite, you know.
