I'm trying to be the messenger for the people that pay attention to me. And those people I want to help inspire because a lot of people maybe think it's - they're too cool for school. That's all I can ever do.
I've taken a look back at my body of work and tried to deduce an essence, capturing aspects that reoccur. Reflecting on your own product can be difficult yet enthralling.
I'm a populist. I'm the people's designer... It's important that there are price points that allow people in who maybe don't have the ability to have higher-ticket items - but they can still have something very emblematic of the collection.
Sometimes when I'm just really relaxed, that's also a creative time for me, because that's when my mind is more open because I'm not worried or thinking or being very analytical.
I have a nostalgia for the years I was growing up and experiencing new things for the first time - so the late '80s and early '90s are always fascinating to me. Those were the times that I was being informed about a lot of my tastes, and so the memories are fused with a lot of emotion.
McDonald's, Barbie - they're all icons, recognizable from London to Timbuktu.
I ultimately do still feel like an outsider, and I do feel, actually, I'm more in the world of music because of how much I participate with musicians - in all aspects, not just clothes.
There have been a lot of challenges, but I'm still standing on my own, and it's quite an achievement knowing that I own my own business and created my own success through hard work and vision.
I like the mix of something farmlike and something futuristic and artsy mixed together. It's kind of both my worlds.
When I was born, my family was so poor that there was no money to buy food. So the church bought groceries for us - there wasn't any kind of privilege.