The Creation Museum isn't really a museum at all. It's an argument. It's not even an argument. It's the ammunition for an argument. It is the Word made into bullets. An armory of righteous revisionism.
I've always had that mindset of, 'OK, I may be hot this month or doing really well this month, but don't get too high, don't get too low - just enjoy it.' Don't ride the rollercoaster, basically. I always thought about it like, I'm not going to an amusement park, I'm going to a baseball field.
Museums are interesting. This place where we're almost buying admission to take a break from our lives.
The notion of having your muse was not something that was built for women originally. That's not to say women don't have muses. I get muses in terms of actors or writers who inspire me, so I understand the concept.
Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
The genius of vinyl is that it allows - commands! - us to put our fingerprints all over that history: to blend and chop and reconfigure it, mock and muse upon it, backspin and skip through it.
Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.
The fact is that the British Museum had a complete specimen of a dodo in their collection up until the 18th century - it was actually mummified, skin and all - but in a fit of space-saving zeal, they actually cut off the head and they cut off the feet and they burned the rest in a bonfire.
Rahul Jaykar, my character in 'Aashiqui 2,' was a talented musician battling his demons, while Noor Nizami, my character in 'Fitoor,' is an artist who spends his entire life in pursuit of the love of his muse, Firdaus.