Being American and being an outsider at the same time, it's a perspective I often bring to a character.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
When I got to Florida, I was a British kid, but I was also an Indian kid: a brown kid with an English accent. Talk about being an outsider. And that's become the theme of a lot of the stuff I write about.
The AAP was not the first group of well-meaning outsiders in politics.
I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
In some ways, my most comfortable feeling has been that of being an outsider coming in, but over the years I've tired of that and I'm ready to feel at home. That's what music gives me: a feeling of absolute home.
China was the first time I truly felt like an outsider. I fell in love with the process of trying to become intimate with the culture.
I immediately felt welcomed, whereas in Massachusetts, I'd grown up there but I felt like such an outsider. Within a week or two of moving to Philly I felt there was something I could be a part of.
For the better part of two centuries, outsiders have been offering explanations that range from racist to learned-sounding - the supposed inferiority of blacks, the heritage of slavery, overpopulation - for why Haiti remains the poorest country in the Western Hemisphere.
I've always been an outsider.
