We all want to be a little glamorous, a little playful and a little mischievous at times.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
I call white the most powerful non-color; it's clean, optimistic, powerful.
I've always loved the rustic, slightly worn style of Canvas and that element of an artisanal hand. It's so inherently chic.
A lot of my peers don't think about collaborating the way I do. My approach is to imagine my world. The Jason Wu woman isn't just floating around in a beautiful dress. I like to know where she's going, what she likes. I'm not just in the fashion business. I'm in the lifestyle business.
I would buy Barbies and take them apart and then remake their looks. I used them for hairstyling. It was a whole process. I had a lot of dolls - like 150.
My cats are really sassy and sophisticated, but most importantly, they are picky.
I dress some of the most successful women in the world, and meeting these women rubs off on you. A few years ago, the woman was someone I imagined in my head. Now they're real. It's important my work evolve along with me and that I show more facets of myself.
When I moved to America, I knew I wanted to be a designer. I never imagined one of my dresses would end up in the Smithsonian.
I am an Asian designer. I was born in Taiwan. That is who I am. But I am a designer, like any designer of any race. Growing up in the '80s in Taiwan, the arts were not considered a career.
I came from product design originally - I had been designing dolls for a toy company since I was 16 - so I'm used to working with plastic and different things. I had an innate interest in objects.
Being feminine in the way you dress doesn't have to compromise who you are as a woman or your career.
Brizo has been my single biggest sponsor since I began as a designer. Brizo wanted to be involved in many different areas of design - they had already worked with several architects, and fashion was an area they were interested in moving into.
I'm an American designer. It's important to riff on that. I remember, when my mom and I first came to the States, she was so shocked that everyone was so dressed down in sandals and shorts. It's not quite like that in Asia. To give that a superluxurious makeover? For me to make street wear? It's sort of chic to do it.
My Chinese zodiac is a dog. But I'm an exception because of how much I love cats.
There's something to be said about a girl who knows what she wants. One of my favorite girls to dress is Diane Kruger. It's always so easy with her. I know her body and what works. When it's right, it's not a lot of effort.
I saw my potential as artistic director, which is very different from designer. Fashion companies might have $200 million to $300 million in annual sales - Hugo Boss has €2.5 billion. I have to create a world that is believable and also relevant in 7,000 sales points around the world.
I don't feel comfortable talking about the specifics of how it all comes together, but the truth is, I don't ever know when Michelle Obama is going to wear my clothes! She, like everyone else, picks her outfits and wears them when she wants - sometimes two or three times. It's not ever calculated.
I hope I am the antithesis of disposable fashion.
I make very proper clothes. But I was never that person. For a long time, I thought that was the image I needed to have for my brand. And I thought that's the person that I needed to be. Because it gave me a distinct image that no one can deny.
