I think the best thing that I collect is memories. I love traveling; I love remembering stuff, my family, my daughter, my wife. I just love collecting memories of my trips, my experiences. And I think that's it. I'm not very glued to material stuff.
I love a good Steve Martin, Martin Short scene where they're being super physical - I don't mean to compare myself - but I relate to their type of comedy because they do crazy stuff but come at it in an honest way.
I'm from Mexico, and I've heard some horror stories about cast members who can't stand each other. What we have on 'Jane' is a blessing. We do table reads for every single episode one day before it starts to shoot.
I love to be challenged, and I'm never sitting comfortable in the mediocrity chair.
I love to read scripts. But I am very happy right now to say that I am a working actor. In this town of Los Angeles, the phrase 'I'm an actor' is overrated. So, I like to say, 'I'm a working actor.'
I usually decide if I'm going to do a movie based on if I like the script or not. I thought 'Pulling Strings' had every single element that a classic romantic comedy needs to be a success. It's very well written. The cast was amazing. It was a decision I made based on the power of the script.
You should never turn your back on the market that gave you notoriety and be who you are and give you the numbers it gives you in the United States. I can't deny that the success I've had in the United States or the success that 'Pulling Strings' was due to my work in Latin America.
The real mariachis in Mexico are singers like Agustin Lara and Pedro Infante and Jorge Negrete - the Golden Era of Mexican Filmmaking. Mariachis sing very soft and very beautiful. That's old-school mariachi. They are caressing the songs.
I do more films than television, and in Mexico, they are more situational comedies - not the typical telenovela.
I love to be a working actor, and I love to read scripts as they come in. If I find the script or character that is interesting, I want to transform myself into that character.
I don't know if I felt successful, but I did feel a difference in my career, or in how people perceive me, or how people reacted on the street right after I did the Mexican version of 'Ugly Betty.' That show was a complete success, thank God. It broke historical ratings records in Mexico and also the U.S.
I have friends of mine that are actors or singers, and they're the classic guys where, they're onstage, and they're like, 'Okay, the blonde in the third row, seat 24, bring her to my dressing room.' I've never, never taken advantage of that, I swear to God.
The fact that we are playing Latinos does not mean that you have to be shouting 'fiesta,' 'taco,' or talking in the same way most Latin characters do in American television.