The long and short of it is that I am now in a position in England to green light movies, and that's really excellent - not high-budget movies, but movies none the less.
Television has shied away from being too dark, because so much has happened to us recently here in the West, and people are sort of wanting to see more uplifting sorts of things.
The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.
Bond? It is a bit like saying, 'Do you want to play Superman?' Anyone would dream of it. It's one of the most coveted roles in film. I'd be honoured. But I don't know if it will actually happen. I'm just happy with the idea of being associated with it. It's nice there's a lot of good will.
I think 'The Wire' really is relatable. It reflects an ongoing issue across America, about inaccuracies in major cities between rich and the poor and some of the things that go on behind the red tape of council and government bodies.
I was really ambitious, so I was innovative. I was one of the first DJs to do live calls, 'cause I found this phone device that would pick up other people's voices.
As an actor, you're trained to do the right thing, be politically correct, say your lines, say the right thing about the people you're working with.
The adrenaline feeling of jumping out of cliffs and bikes and all of that is very specific to the film. In 'Pac Rim' I'm not doing that so much. There isn't that touch stonework for me in it, but there is a lot of action.
When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.