I've got my private life - that's sacred - and I didn't have that before.
There is nothing in my life where I view myself as a 1920s person.
If I feel I can play a part I do everything in my power to try to play it.
It's peaceful for people to know how their lives are going to be, pretty much.
Well, when I moved to England I was making a lot of personal adjustments because I was getting married and starting a family, that sort of thing.
I miss sometimes the buzz of America. A sense that anything can change at the drop of a hat. In a way, it's an exhausting thing to live with.
My job now is to work hard and learn all I can.
I can't just sit around thinking how lucky I am.
I just find it fascinating, like everybody, to be in a different life. It's an escape.
I love having the opportunity to explore a part for a great length of time, really get deeper and deeper into it, because you only have a chance to do that once or twice in a career.
Whenever I work on anything, there's always the fantasy that what one is doing is the next 'Citizen Kane'-slash-'Sopranos.'
Well, I have a band, Sadie and the Hotheads, and we have an album that is already out that is available on our website.
To me, the lyrics of the song define the kind of style it is.
My family were all into classical music, and I found that very intimidating.
I've found acting on stage much more challenging than on screen.
By definition, an actor's life is a recipe for regret. There are always roads you could have taken. But I've lived long enough to realise that each road has its own rewards.
As far as I can see women who have facelifts don't look younger, just weirder. You see them on screen with these tight, little porcelain faces - then the hand goes up to the face and it looks like it belongs to an alien. I find it really freaky.
In London, I take the Tube everywhere.
I have a terrible sense of direction.
I don't believe in villains - just people who channel their energy in the wrong way.
