It's fun playing villains. It's people who are not held by any moral constraints - or any constraints, for that matter. It's a chance to be completely off the leash and do things that you never could in real life.
My paintings capture the humor, zaniness, and depth of the Batman villains as well as the Freudian motivations of Batman as an all-too-human, venerable, and funny vigilante superhero.
I had a sympathetic role in 'thirtysomething,' and in two weeks I'm going to do the role again. But in the movies, I just love the heavies. It's much more fun. Villains are a ball. People have been laughing at me for 50 years, so I love to sit in the back of the theater and listen to them hate me.
There's always the standard six people you can hire that have played all these villains in Hollywood. Instinctively, when they come on screen, you know what's going to happen. You don't know the story, but you know what they do.
Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production.
I think it would be a problem if Hollywood was casting British actors only as villains; if that were the case, then certainly there would be cause for concern.
Besides Spiderman and Batman, 'The Flash' has, hands down, the best villains. You could do a TV show about The Rogues, and there's enough depth and interest and oddly honor amongst those characters that I think people will watch that show.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.