Visual storytelling utilizes both language and art to pass on the essence of who we are.
A brand is simply a set of beliefs. And if you don't create a set of beliefs around your products or services, well, you stand for nothing - you have no values and no vision.
No one likes someone who's really overconfident.
Courage is the birthplace of confidence.
Branding is deliberate differentiation.
Never give up if it is something that you really want.
In design-led organizations, design permeates every initiative and expression. It's embedded in the culture.
People do not read first. First and foremost, they see color. Then they see numbers, then shape, and then, if you still have their attention and they understand what you put in front of them, then they will read.
I don't regret the decisions that I've made. I really truly understand why I made them.
Obama really changed the way in which design can be used effectively for a candidate.
Authenticity in branding requires a step by step, measured methodology that doesn't veer from a brand's key identity.
Companies that are design-led understand that design is not a deliverable; it is a profound manifestation of the human spirit.
Millennials don't want to be bombarded by ads. But what is so interesting to me, though, is how willingly they accept native content. Or native advertising - it's not even native content.
We create constructs to understand ourselves, the way we look, how we feel, what we believe - and we telegraph that 'branding' to the world.
Substance over style is the rule for all resumes. Any special effects will dilute the gravitas and stature of the impression. You want people to concentrate on your accomplishments and your successes, not the curlicues of a font or unusual shades or contrast of colors.
Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.
Many brands have lost their way in the process of evolving from a small company to a much bigger corporation.
Ever since Marcel Duchamp appropriated mass market objects and pronounced them 'readymades' and Andy Warhol elevated the Campbell's soup can and Brillo Box to art, artists and designers have been blurring the lines between fine art and commerce.
I found that the only thing I felt passionate about drawing were words.
I find working on brands some of the most interesting work you can do.
