I'm interested in ways that digital interfaces can be utilized as powerful narrative devices, and to engage people in new and exciting ways.
The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.
Here is an entirely banal idea that I think has the potential to change the world: Take evidence seriously. Taking evidence seriously does not mean privileging numbers over all other forms of knowledge - theories, narratives, images. Nor does it mean the kind of radical skepticism that questions everything to the point where no action is possible.
I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort of narrative, and other times they are just funhouses of non-linear imagery and other scary stuff.
People have to respond to the characters and respond to the situations that they're in. That said, it still has to be a compelling narrative that drives along and keeps people coming back week after week. So really, with any successful show you could name, there has to be a mysterious blend of both of those.
The sheer number of legendary narratives and historically verifiable incidents invites us to revise assumptions about the origins of biological and chemical warfare and its moral and technological constraints.
The Greeks first identified the Amazons ethnographically, as a nation of men and women distinguished by something outstanding in their gender relations. Later, any ambivalence or anxiety that knowledge of this alternative gender-neutral culture evoked among Greeks was played out in their mythic narratives about martial women.
I hear music as narrative.
I think that rap is narrative, when it's done right.
I don't just want my books to be about the '30s and '40s. I want them to read as if they had been written then. I think of them as '40s novels, written in the conservative narrative past.
