Fine art is really something I want to get into.
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo.
For too long the world has failed to recognise that the Olympic Games and the Olympic Movement are about fine athletics and fine art.
When I was young, we had nothing. The carpets and upholstery in the palace were full of holes. The floors creaked. Everything was so old. Yes, we had a piano, an upright given to us by the Fine Arts Department. But it was out of tune.
I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
We believed that there's no such thing as good art or bad art. Art is art. If it's bad, it's something else. It was a much, much harder line in the '50s and '60s than it is now, because the idea of art education didn't exist - they didn't have a fine arts program when I was a kid.
I was in the National Academy of Fine Arts and Design, on a scholarship. I was - still am - an artist. They were looking for an actor for 'Take a Giant Step,' and a producer liked my look and asked if I could act. I said, 'Yep!' Then I got into acting more or less just to make money for paints and canvases.
I would have liked maybe to be in architecture or painting, something connected to the fine arts.