I have grown up being a father. When my first son was born I was 17. I was a child bringing up a child. I was not capable of understanding what a dad was meant to be.
I never wanted my kids to have the experience of not knowing me or where they came from. I never want them to wonder, 'Did he love me?' I want to be there at the pivotal moments, for them to know how proud I am of who they are becoming.
The strength of 'Small Island' is the fact that it deals with heavy issues in a way that is appealing to watch, and it's a story that people can relate to no matter what colour you are.
I stayed well clear of roles like 'Top Boy' for years before I did it, but I had to do it because the script was amazing. It was the most authentic thing that I've ever read when it comes to that sort of life.
Top Boy' isn't the type of programme that is trying to be righteous and have a happy ending, it is just real.
I remember at a very early age ringing up record labels I found in the Yellow Pages, and asking them for a record deal.
In my opinion, gentrification can sometimes affect what's happening on the ends. You're placing people in different places, moving them around, and you're taking them out of their comfort zone and into places they're not used to being in.
As a rapper, you're taught and you practice being hard all the time. You're not crying on your tracks, you don't sound like Neyo singing an R&B song about what you've lost or whatever.
I used to eat under my grandmother's dining room table. I wouldn't eat at the table ever until I was about 10.