The ocean is the lifeblood of our world. If we were to lose our fish that we appreciate so much by overfishing; or if we were to lose some of our favorite beaches to overbuilding and pollution, then how would we feel? It's become a case of not knowing what you've got until it's gone.
Just having the internet is a weird and dangerous thing because people become accustomed to knowing things when they want to know them and not having to work for it. I definitely see the value in not knowing everything and having mystery in life and mystery in people.
The comics work is very slow, and it basically involves working for sometimes years in isolation and not knowing how the work is going to be received.
Sometimes as human beings, we're so contradictory - we may say something or do something and completely contradict ourselves. That's what I'm learning to embrace in television - not knowing what's going to happen.
Having arrived in London to seek refuge during the civil war in Sudan, where I was born, the thing I'm most proud of is having totally evolved. I came here not knowing how to speak English, but I went to school and learned; I adapted to this new culture.
In the first day of the Soviet Army's arrival, I and the other comrades were isolated and then found ourselves here, not knowing anything... I can only conjecture what could have happened.
When I first moved here, I almost felt like I was obligated to hate L.A. as a New Yorker. I moved way too fast for this city. I walked everywhere, and I was lonely, too. It was a really hard time not knowing anybody, and you don't run into people the way you do in New York. You can go a week without seeing anyone.
I like not knowing about my favourite actresses and actors. I love seeing Meryl Streep up there and knowing so little about who she is outside of what she's playing on screen.
Every time I do a project, it always comes with a level of discomfort and not knowing how to do it.