My mom would take me to restaurants, and the first thing I'd ask for would be a pen and a napkin, and I'd sketch shoes and shoes and shoes.
I've always said I'm not the kind of designer who likes to lock himself away in a studio and let the rest of the company deal with it. I work very closely with everyone on the team.
Designing a product and understanding how it filters through into the market and into the rest of the company is very important to me.
I seem to always start a collection by designing outerwear and jackets.
I never really did sports growing up. Maybe that's why they intrigue me. The technology that goes into that clothing is steps ahead, so it's always been something I look towards.
I don't think fashion week will go back to what it used to be because people are realising that the industry is completely changing. It's not just in Bryant Park any more, people are figuring out who their audience is, where they want to show, they aren't really playing by the rules. It's not so much about these editors, these buyers.
When I decided to launch my first knitwear line, it was because I saw a void in the basics category. The editors were always looking for cool, fashion-forward tees and sweaters. So that's where I started.
The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
In the beginning I pushed toward perfection, but it takes time to get to certain places.
Probably the earliest memories for me would be going to restaurants with my family.
You know, when you go to high school or, you know, when kids are younger and there's not an understanding of differences. But I built up a very strong, thick skin.