I really like coming-of-age dramas. It's probably the most intense period in anyone's life, those years before you become an adult. Dramatically, there's so much to explore there. And it's nice to be around young talent coming through.
The great thing is that young talent isn't tied to a how-to model for starting a line; we get to find new ways to go about doing things. And don't let people tell you you can't. Go find a way to show that you can.
If you have a great love of singing, supported by others' fondness for your voice, then it is worth making every effort, of making every sacrifice, to achieve your goal. A great voice will easily find teachers who are willing to help a struggling young talent, and the ways of the Lord are infinite.
It is very important to highlight the young talent of India.
It's amazing to be able to embrace young talent.
Reality shows like 'SaReGaMaPa' are a huge platform for young talent. Thanks to television, they have more exposure than we could even imagine.
There's such a big buzz around boxing at the moment. Everything's happening and there's so much building up with a lot of young talent coming through.
I believe there's no reason why we couldn't be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.
Red Bull have always been very good at nurturing young talent - Sebastian Vettel and Daniel Ricciardo are products of that - and it is important with Asian talent that people keep investing in it. There's a massive pool of people, for sure, and the next Sebastian Vettel is out there somewhere.
It was like an older but better version of Young Talent Time because we had more time to spend on it. There were three guys and three girls and we made thirteen episodes that were sold in the United States and Canada.
