Many people, including me, thought it was too early for me to play a father to two grown-up daughters, but I found the script of 'Dangal' irresistible. I had to do it!
There are two types of people in the world, and I'm one of them.
To develop drugs for people, we basically dismantle the system. In the lab, we look at things the size of a cell or two. We dismantle life into very small models.
The scale of time for a politician runs between one primary and the next, and in Israel, this means two to three years because elections almost never take place once every four years as stipulated by law. The timetable for a system of research is completely different.
If a literary man puts together two words about music, one of them will be wrong.
We talk about quantum weirdness and things being in two places at once, but it all involves atoms and molecules, stuff we don't normally interact with.
There are people who want to hear what they consider your hits. There are people who want you to experiment and explore random, rare things. And it's kind of a different; they're two different beasts.
But I'd say recording and playing on stage are two completely different things. Being up there in front of all those people is like jumping off a cliff into icy water. The recording process is a totally different energy.
The tracks on 'Sleep' were recorded live to 2-track. I did a fadeout or two of them, but that's really it.
Some guys, first pitch of the at-bat gets called a strike - maybe it's a ball off or below their knees, and it gets called a strike - and then the next two pitches, they swing at balls in the dirt, and all of a sudden, they're yelling at the umpire about that first pitch. You just swung at two balls in the dirt, buddy.
